Soli Deo Gloria. When A Woman Ascends The Stairs (Japan 1960) Takamine Hideko as Keiko, the Mama-san in a Ginza bar. She comes across at times as self-righteous, at other times as hard. Despite being a story about women giving companionship to men on their business trips and away from their wives, for the longest time no notion of actual love is created. My last thought is only this. Naruse’s filming style, never ostentatious, shows exquisite tact. (Often, the cutting underscores the cruelty, selfishness, and indifference of modern life, every man for himself, but not always.) Director Mikio Naruse. She’s proposed to and berated and lied to and loved by three or four different men. She's of an age when she must choose: to seek … In short, she is a very human mixture of generous and self-protective. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. In a practical sense, they lead up to the bar she dutifully frequents every evening and yet Naruse’s shot comes to represent something far more. The film keeps dwelling on that face, Keiko/Takamine’s exquisite instrument, registering revulsion or censure. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. When a woman ascends the stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's very modern postwar Ginza district, who entertains businessmen after work. The stairs in question are those of a bar in the red-light district of Tokyo and the woman who ascends them is Mama-San, the bar's chief hostess, but the stairs may just as well be those of a brothel for the girls who work these bars are basically prostitutes, (even in Japan in 1960 you could never be that explicit). In one of the most controversial films of his career, David Cronenberg adapts a scandalous J. G. Ballard novel, radically overhauling its story to address a society paralyzed in the headlights of a new millennium. Either path seems to involve a sacrifice of independence. Follow his frequent musings at Film Inquiry and on his blog 4 Star Films. A departure of sorts from the usually drab, lower-middle-class, scarcity environments, but the preference for enlightened stoicism over glib redemption is pure Naruse. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. And though he had been making films starting from the silent era, Naruse had no trouble adjusting his objective style to a … Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. When a Woman Ascends the Stairs: They Endure an essay by Phillip Lopate at the Criterion Collection This page was last edited on 8 November 2020, at 14:32 (UTC). Because in one go she effectively represents an entire subset of human beings and imbues them with unmistakable pathos. In her … But in a manner indicative of Japanese culture, Keiko must deal with a nagging mother and a useless brother who are constantly dependent on her for money. Sprawling across more than half a century of American history, Martin Scorsese’s crime saga combines epic ambition with a mood of isolation and dissolution. Even here, the American influence is felt with many of the bars deriving their names from English. Showing all 3 items Jump to: Summaries (3) Summaries. Keiko Yashiro est une femme d'âge moyen qui travaille comme hôtesse dans un bar du quartier chic … Should she seek a … Receive a $10 Reward . What's on TV & Streaming What's on TV & Streaming … After the marriage plan with Sekine blows up, she gets drunk and throws herself at Fujisaki. Naruse fills the canvas with sharp characterizations: the sexpot Junko (Reiko Dan), who snatches Keiko’s would-be patron for herself; the mother and brother who leech off of her; the long-suffering bartender-­manager (played by rising star Tatsuya Nakadai) who unrequitedly loves Keiko but is not above a roll in the hay with Junko; the shrewd, right-to-the-point lady owner of the Carton Bar; the chubby, gentle-mannered suitor Sekine (Daisuke Kato). With Hideko Takamine, Tatsuya Nakadai, Masayuki Mori, Reiko Dan the picture an era built on Current., I would wager Naruse is one of the so-called `` snack bar ''... 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